残酷

《残酷》讲述的是什么故事？

《残酷》　　Constantly on the hunt and suffering from hallucinations that drive his violent nature, an unnamed man is capturing women and savagely beating them to death. Meanwhile, a woman is luring men into a violent end, by way of her knife. Driven by the same force to make the opposite sex suffer, the killers’ fates intertwine. The two must face off in a battle to the death, in which they are forced to reveal the horrible truth behind their addiction to murder.　　“Brutal” takes an interesting approach to its visuals, drawing heavy influence from Western “Grindhouse” films, using a filter to make the footage appear grainy, damaged, and with light and color fluctuations. Unfortunately, the visual styling ends up feeling misguided, as other than applying the filter it does not imitate any other aspects of the “Grindhouse” genre. Despite trying to dirty up the film, it is apparent it was shot on digital. The cinematography is also a step above most “Grindhouse” productions, with Takashi Hirose proving he has talent behind the camera. Exterior shots to those taking place in small spaces are all competently framed, lit, and transition well. The decision to add an effect on top of the work hurts the film’s imagery and even gives a sense of desperation to try to capture a certain type of nostalgia with the audience, instead of relying on its own strengths. It is unfortunate when one creative choice can hurt a production so much.　　The story of “Brutal” is simple but effective, it does attempt some sort of social commentary about the violent nature of men and women, but it does not offer enough depth into the subject to justify the amount of violence on display. The film does end on a strong note with an interesting twist, with a reveal that is bound to gross some out, while giving others a chuckle. In spite of its simple nature, those who enjoy films that make them somewhat uncomfortable and enjoy the challenge of getting through some ultra-violence, “Brutal” poses a fun and entertaining challenge in that regard.

一、《残酷》是哪一年上映的？

《残酷》是广濑贵士于2018年拍摄的一部经典恐怖片。此片开创日本当代恐怖片的先河，《残酷》上映时票房稳坐前三，创下当年纪录。当时Katrina Grey,仁科贵,亚矢乃,Naho Nakashima,Butch,Nanako Ohata均为最佳主角，Katrina Grey,仁科贵,亚矢乃,Naho Nakashima,Butch,Nanako Ohata以精彩演技和突出形象，奠定在日本影坛地位。Katrina Grey,仁科贵,亚矢乃,Naho Nakashima,Butch,Nanako Ohata饰演角色造型多年后仍为人所模仿。广濑贵士之前曾被人怀疑其能力，而《残酷》却奠定广濑贵士恐怖片风格。《残酷》首映时曾获海外恐怖片和媒体广泛称誉，被认为其优秀程度，是足以与同时期（指2018年代）日本优秀恐怖片齐名。

二、被称为恐怖片的开先河之作的《残酷》，是广濑贵士最好的作品吗？

从广濑贵士斩获恐怖片最佳导演开始，很多观众就觉得这部《残酷》是他极具代表性的恐怖片。虽然广濑贵士后来还拍出过评价很好的作品，但是《残酷》依然常被认为是他恐怖片创作中的重要代表。

三、《残酷》为什么可以成为经典？

提起日本，不少观众都会想到《残酷》的名字。这部由广濑贵士导演，Katrina Grey,仁科贵,亚矢乃,Naho Nakashima,Butch,Nanako Ohata主演的《残酷》，在当时凭借鲜明的人物塑造和紧凑的恐怖片叙事获得了不错反响。正是人物命运、情绪推进和故事节奏之间的相互配合，让《残酷》在同类型作品中具有较高辨识度，也让观众对其中的情节留下深刻印象。

四、如何评价《残酷》？

《残酷》口碑表现稳定，深受广大观众喜爱。不仅Katrina Grey,仁科贵,亚矢乃,Naho Nakashima,Butch,Nanako Ohata的表演有看点，而且该恐怖片故事情节紧凑，影视9（9.hnttlq.cn）观看起来流畅，同时还能保持较强的剧情吸引力。虽然不同观众对《残酷》的评价各有侧重，但该片目前的受欢迎程度已经名列同类作品前茅。

五、《残酷》恐怖片的主要内容

《残酷》是一部恐怖片作品，由导演广濑贵士执导，Katrina Grey,仁科贵,亚矢乃,Naho Nakashima,Butch,Nanako Ohata主演。影片围绕主要人物的经历展开，通过人物关系、情节推进和情绪变化，呈现出一段具有观看价值的恐怖片故事。

《残酷》　　Constantly on the hunt and suffering from hallucinations that drive his violent nature, an unnamed man is capturing women and savagely beating them to death. Meanwhile, a woman is luring men into a violent end, by way of her knife. Driven by the same force to make the opposite sex suffer, the killers’ fates intertwine. The two must face off in a battle to the death, in which they are forced to reveal the horrible truth behind their addiction to murder.　　“Brutal” takes an interesting approach to its visuals, drawing heavy influence from Western “Grindhouse” films, using a filter to make the footage appear grainy, damaged, and with light and color fluctuations. Unfortunately, the visual styling ends up feeling misguided, as other than applying the filter it does not imitate any other aspects of the “Grindhouse” genre. Despite trying to dirty up the film, it is apparent it was shot on digital. The cinematography is also a step above most “Grindhouse” productions, with Takashi Hirose proving he has talent behind the camera. Exterior shots to those taking place in small spaces are all competently framed, lit, and transition well. The decision to add an effect on top of the work hurts the film’s imagery and even gives a sense of desperation to try to capture a certain type of nostalgia with the audience, instead of relying on its own strengths. It is unfortunate when one creative choice can hurt a production so much.　　The story of “Brutal” is simple but effective, it does attempt some sort of social commentary about the violent nature of men and women, but it does not offer enough depth into the subject to justify the amount of violence on display. The film does end on a strong note with an interesting twist, with a reveal that is bound to gross some out, while giving others a chuckle. In spite of its simple nature, those who enjoy films that make them somewhat uncomfortable and enjoy the challenge of getting through some ultra-violence, “Brutal” poses a fun and entertaining challenge in that regard.